Archive for May, 2011

Upcoming performance at TINA October 2011

Exploration of processes of listening through a performance installation that is composed based on performance movement and electromagnetic feedback.

Listening to place.

This work seeks to explore acoustic space with electro acoustic aids. Through audio feedback the sound engineer and performer will play and explore the acoustic properties of the space they are in. The process of composition and performance is an exercise in conscious listening and collaboration between performer, space and engineer. 

Four speakers will be set up in the space all facing inwards (placed to measure to ensure cancellation and wave harmonization). The performer will be placed in the centre of the speakers with an open mic and contact mics on his body. Through voice and mic feedback the audio engineer and performer will collaborate to explore the aural properties and sound of the space. The work will play out like a performer/audio engineer/space jam but the only aural properties being voice and feedback. In order for this to take place the performer and engineer will need to engage in processes of conscious listening. It is hoped that this process will allow the audience to open out their listening and experience the space and listening in a way that they have not before.

The room will be in darkness and two lamps will be used to put focus on the performer and on the engineer. The performance will be followed by discussions on interactivity, the experience of listening, and questions on work process.

Beachcomber: A Game for the Visually Impaired

Beachcomber: Game for the Vision Impaired

Game concept design for visually impaired to be played on the ipad. Poster of project process and findings published at Foundations of Digital Games 2011. A collaboration between the School of Computer Science Engineering and the School of English, Media and Performing Arts UNSW.

“Video games, as their name suggests, are a largely visual medium. To make a video game for the visually impaired would therefore seem to be an exercise in futility, but this is what we are attempting. In reality, the problem is not as
impossible as it sounds. Visual impairment is not always a total lack of sight and even the legally blind can often appre-
ciate some changes in brightness and colour. Furthermore sound and touch are becoming increasingly versatile means
of interaction.
In this paper we present Beachcomber, a game of sound, touch and occasional video being developed at the Game
Design Lab at UNSW in conjunction with visually impaired children from Vision Australia and Guide Dogs Australia.
Our goal is to make a game that is fun and engaging regardless of your level of sight. Early playtesting results confirm
that we are on the right track.”

Concept Design, game play and programmers                                                             Nathan Ching & Malcolm Ryan

Graphic designer                                                                                                                         Ralph Stevenson

Interactive design & graphics                                                                                                Melody Wang

Sound Design Consultant                                                                                                        Clare Andreallo

Transparency – Tropfest Finalist Film 2011

Screened Tropfest 2011 in Australia nationally, Sydney Domain

Behind every photograph is a story. Is it the photographer’s story to tell? What is Tom willing to risk to tell Julie’s story?

One Day on Earth – Raising Consciousness Through Yoga

One Day on Earth Project

Directed by Natlie Saleeba

DOP Marcus O’Brien

Location Sound Clare Andreallo

Mondo Ghillies

Written and Directed by Sarah-Mace Dennis.

Stills photographer: Richard C Bell

2010

Screened Next Wave Festival 2010, Melbourne

Sound Desginer

On festival circuit; video not available.

© Sarah-Mace Dennis 2010.

“Set in a surreal world at the edges of logical comprehension, Mondo Ghillies is a dance film about the way we give volume to our surroundings through our perceptual awareness. The film explores notions of subjectivity, investigating what it means to be in the world as a ‘subject in process’ always changing because our brains, and the neurological conditions that determine how we act, feel and see, are always changing. Gesturing toward ideas about how both external and internal worlds are defined through the shifting shape of our movement, subjectivities and desires, the work suggests that the world around us isn’t always completely logical, understood through notions of time that are constructed through linear comprehension, but often belongs to another state of consciousness: a mode of feeling evoked by those indefinable pockets of our minds that are experienced and sensed, but not always able to be defined through scientific, rational explanation.” (Sarah Mace Dennis, Writer and Director of Mondo Ghillies, 2010)

Frankie

2007

Screened I O Myers UNSW

producer, set designer, sound designer

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